The Christmas dress

 

I hope you're all having a happy holiday! I've been staying at my mother's in Stockholm, celebrating Christmas the swedish way (traditional swedish food and hanging out with the family on Christmas eve). Also, there's been the usual running around Stockholm to meet up with everyone... =)

Last year I bought 2 metres of jersey and 2 metres of lace and figured I'd make it into a Christmas dress for this year. I came close to stumbling on the finish line here... I started drafting the jersey on Friday evening the 20th, sewed the jersey on Saturday morning, drafted and toiled the lace on the afternoon/evening. Sunday I packed for Christmas and sewed the lace-dress.

The bottom layer is a plain jersey dress, without sleeves. The top layer is more interesting - it's lace cut on bias. The lace has no stretch on it's own, but it's a loose weave lace, so it has some natural stretch due to that. But as I didn't want to join the two layers, I also didn't want the opening a waistseam would require. This was my solution:

A bias cut diamond shape in the side. I first got this idea from one of the dresses in the Hollywood exhibition at Albert & Victoria museum in London last year. I'm not sure how period accurate it is, but they did use paneling during the early 30s.

The front was also a new to me: I made a high cowl neck, with the bodice pleated to a midriff piece.

The skirt is my by now trusty bias A-line pattern. The back is also cut on the bias.
One of the trickiest part was figuring out the pattern layout, so that the weave strength on both sides of all seams matched each other.

This was a really fun project, and I'm thrilled I managed to get it done in such a short time!

Happy holidays!
Love, Erika

A dress for blues dancing

A dance night that comes only once every 6th month is a special event, right? And it’s made to feel even more special with something new, special to wear! =)

As per usual my carefully laid sewing plans this fall went straight to… *erhm* They didn’t work out as I had planned. Or at all. That meant my grand vision that included a gorgeous rayon, matching chiffon with embroidery and sequins, and of course a smashing 30s silhouette, that vision had to be put on hold for a later date if I wanted a finished dress to wear to the dance instead of just an idea. So what to do instead?

I wavered between the three drawings to the left above, but even though I decided for the one to the farthest left, it was never a “Yay! I’m going to love this dress!”. At first I tried to ignore it and stick to my chosen path, but as I picked out the jersey I bought in London last year (intended for a bluesdress) and the pattern pieces, a new dress just seemed to grow out of what was in front of me. The result was the dress on the right, minus the split (when test-dancing the dress, I realised I didn't need the split).

Ever had that happen; that a project seems to change itself, and take an ok idea to something totally different? The end result was a lot more suited to the occasion, to the fabric and to what I really really deep deep down wanted. It’s strange what can come out of being true to one’s gut feeling and just follow the intuition. I’m not sure I can say I drafted this dress, it more or less drafted itself.

The entire front bodice got an overlay of lace, pleated to the neckline. The skirt was cut (on-grain) from my bias 30s skirt pattern, so made long + slim. Sleeves also got a cover of lace.

The best is the back! Covered with lace, the jersey beneth dives into a deep V. This is a style I’ve dreamed of wearing, forever! But with my bust, skipping the bra just isn’t an option. However, when I realized the Glamour Corselette I also got in London would be ideal under the thin jersey skirt, my mind raced to the conclusion “Holy Moses, I can make a deep back!”. As a deep back isn’t ideal when dancing - the lead’s hand goes right over there, and as I’ve discovered myself when leading followers wearing tank tops with spaggetti-straps, it really is a much more pleasant experience to have some fabric between hand and back – I kept the full lace back, and just cut out the jersey.

Due to the cut out back, my slips wouldn't work, so I made a lining from knit stretch lining.

Dress inside-out with the back lining visible...

...and the front.

Did I lose something with this change of plans? Yes and no. The original jersey dress would have been an allround Little Back Dress, usuable for many occasions, from dancing to dinner parties. The dress that I ended up making is a pure Blues Dance Dress (ok, I may wear it for New Years Eve as well ; ) ). However, a multi-purpose allround LBD wasn't really what I desired deep down. I wanted a dress that walked the narrow line between classy, but not "funeral". Elegant and simple, but interesting. Sensual, but not sexy nor slutty. A bit like blues dancing =)
Also, from a more practical point of view, this jersey isn't of a very high quality and I fear it wouldn't make it long as a much-in-use allround LBD...

 And I did my first attempt on fingerwaves!!! The rest of the hair is brushed through and pinned up in a faux bob.

The dress was fantastic to dance in, and we had a wonderful Blues Dance Night! Above is me and my sister Kajsa during clean-up after the dance. We didn't coordinate or anything, but I love how our outfits matched with black jerseys, textured bodices, matt skirts and long-ish sleeves =)

All for now!
Love, Erika

Sewlution on the way! And resources for learning shirtmaking =)

It's been awfully quiet over here, but it's been a busy beehive behind the scene =) So much going on, but not a lot to show for it as it's a project that has turned out to be just as tricky as I feared. So what am I up to? It's really all about this:

Karen from Did you make that? posted an idea past January: A jar with sewing-resolutions. Anyone could put their name and resolution in the jar, and at the end of the year everyone would be asked to answer: had they fulfilled their chosen task? I took this as an opportunity to give myself a kick in the derriere about facing a project I’ve long wanted to tackle but has been a little bit afraid of: drafting and sewing a menswear dresshirt.

In fact, my exact words were:

“During 2013 I will draft and sew a men’s shirt.
Oh dear, cuffs, collarstands, buttonplackets… Not to mention fitting a man! I know about FBAs and hips, but fitting guys is a whole other page. This will be a real challenge for me! Time to order those books and get reading.”

Still a bit afraid of the project, I managed to procastinate all spring – always saying “I’ll just make this first, then I’ll have plenty of time to start the shirt-project after that”. Did I start? Of course not! ;)

Then summer was all of a sudden over and I knew that it was now or never or I would have to confess to the mistress of the jar that I had fled my promise. I’m certain there would have been an easier way to do this: buy a pattern and follow the instructions. I never do it the easy way, it’s a curse…

In sewing there’s always a hundred ways to do something. I’m indecisive when it comes to choosing ice-cream flavors at a store, and choosing a sewing method is a lot more complicated. I’ve also found that one source almost never provides me with all the details and options I’d like. So my prefered method is to read up on the subject in different ways, books, blogs, on-line classes, pattern instructions (if I have any nearby), studying existing garments etc. Ask mom is always high on the list as well =) Then I look at all the (often conflicting) information and puzzle together the pieces that makes the most sense to me, my available tools and materials, and the vision I have in mind of the finished garment.

In this case I found the following resources the most valuable:

Metric pattern cutting for Menswear – Excellent drafting book, pattern came out looking good and needing just minor adjustments (mostly style issues, a few fitting issues but less than RTW poses). However, I wouldn’t recommend this as your first pattern drafting book, it skips steps and is at places pretty hard to keep track of. Personally, I felt the included seam allowance made it harder for me to make alterations, but that might be ‘cause I’m used to working with “net”-patterns (no SA included). If you’ve dabbled a little bit in drafting before, this book is a winner. Just make sure you get the latest edition! The earlier one's apparently have a distinct 80s feel to the cut...

Shirtmaking by David Page Coffin – The standard book on shirt sewing. This book would require a review-post on it’s own. Let’s just say mr Coffin writes an extensive guide to sewing your own shirt. I found many things to love about this book, but I also have some issues with it.

Peter from Male Pattern Boldness shirt-sewalong – great for browsing and getting a first idea of how it all goes together. Peter works from a pattern and partly just refers to the pattern instructions, so lot’s of steps are missing (unless you choose to sew from the same pattern), but it was a huge help to me to see more detailed step-by-step photos of the trickier parts.

Craftsy class The classic tailored shirt – Class led by Pam Howard. Pam works from a Kwick sew pattern, but the class is set up so you don’t need the pattern. Excellent and thorough, it does take some hours to view all the lessons. Totally worth it, in my book. I’d do a few things differently from how the class suggests (like not working with an all-around 1,5 cm SA, amongst other things), but seeing it done on video is for me the best way to learn (after IRL-classes). For instance, both Coffin and Peter explains the yoke-trick with words and images, but it wasn’t until I saw Pam do it that I finally got it.

Pam from Off the cuff’s collar-tutorial – cool way of turning the collar points.

Andrea from Four square wall’s post on sewing shirt-stands – always like different takes on the same detail.

Coletterie has two great tutorials on sewing flat felled seams – without a special fellingfoot and with one.

So where am I in the process? I’ve drafted the pattern, made a toile and fit it, made my adjustments on the draft, and traced the pattern to fresh tracing paper, adjusting the SA from the overall 1 cm given by the drafting instructions to the SA's that will actually be needed. The shirt has been cut out from a tea-dyed linen and I'm halfway through the assembly process. It's still a long way to go, and I already know details that needs to be altered or sewn differently. My boyfriend very sweetly says that of course he'll wear this shirt, but I'm not sure it will be wearable. Still, when learning a new skill, something has to be the first attempt!

Second half of November and still a way to go... Wish me luck! I so very much don’t want to have to explain myself to the mistress of the jar… ; )

Love, Erika

Underneth it all

I don’t know what it’s like in your part of the world, but here fall is coming to its spectacular, grand, multi-coloured crescendo. Along with the chilling air, for some weird reason I start dreaming about lingerie… Anyone else do that? Seems a bit strange, but on the other hand, when it’s too hot outside, I have zero inclination to wear polyester (and most lingerie is polyester, even WKD so-called “silk”-pieces are made of artificial silk) or craving for tight shapewear. But during fall… oh, I dream of tap-pants, slips, stockings, elegant dressing-gowns…

In the name of honesty, this post is long overdue. I shot the pictures in my old apartment, before summer *blushes*  For some reason, spring also brings out this craving for fancy lingerie! Not too warm, not too cold outside and boom!, I’m dreaming of girdles =) 

And isn't it just perfect that a while ago, I had a shopping spree on lingerie! A couple of happy coincidences (and me being a bit slow to blog about purchases) and I now have a whole new set to show you =) On the dress-dummy, though, too shy to take pictures while wearing it...

First, I had an amazing luck months of stalking Tradera/swedish Ebay payed off and I won the auction for this vintage ruby slip.

Love the lace bodice and cutlines in the back!

Second, I splurged on What Katie Did goodies =) Initially I ordered the Hollywood dressing robe, and both the Glamour and the Cabaret girdle. I wanted to see how they felt on, as I only tried on the Glamour girdle in London, not realizing there was a similar one in the Cabaret collection.

From left to right: Cabaret girdle, Hollywood robe, Glamour girdle.

It was a total no-brainer, I kept the Cabaret girdle. WKD lingerie is proportioned for a standard figure regarding waist-hip ratio, and my hips are wider than standard. The Glamour girdle was really uncomfortably tight around the hips, digging in at the front thighs and reducing leg-movement. I wanted to be able to blues dance in it, so limited leg-movement was a no-no.

The Cabaret was much comfier! I could even do legsweeps in it. It has boning down the front, and while I didn't find the "flattening" effect to be more than the one the Glamour girdle had, it does help control the tummy. And the boning is surpisingly comfortable when I'm sitting down! Not comfy as a pair of sweats, of course, but better than a corset, or the Glamour Merry Widow.

So why is the Cabaret girdle stretchier than the Glamour? This puzzled me, they're the same size, the same brand, the website gives the same measurments for them. But... the Cabaret girdle has a single layer powermesh in the big panels, while the Glamour has a double layer, cut out in different directions, so the stretch is reduced significally. So if you're considering a girdle from WKD, and like me you have a larger than standard difference waist-hip, then I'd recommend the Cabaret.

Cabaret girdle and bra

I sent the Glamour girdle back to WKD, who by the way has en excellent return service and ships any exchanges free. All my orders and questions were handled super-fast, and I couldn't be happier with the customer service! (my own personal opinion, I'm in no way what so ever affiliated with the company). In exchange I asked for a Cabaret bra (I'd tried it out in London) and now I have a set! Yay! Hmm, might have to send for the panties eventually... ;)

I also exchanged the Hollywood robe for a smaller size. I figured "It's a dressing robe - it should be comfy roomy! I'll order one size larger than all my other stuff, then it will also match my waist measurment." I'm not sure why, but it seems like all WKD fits so that I should go down one size in comparising to what they recommend as waist measurment. This was true for this one as well - in the larger size the front wrap ended up all wrong, so the piping peeked out 10 cm beneth the waist-tie. I'm quite happy with this smaller size, though! On the question if I couldn't make it myself with a better fit and a smaller cost (in real silk, instead of synthetic) the answer is of course I could. And judging by my sewing list it would be done about the same time this will be worn out. Sometimes I find it worth to focus on the ready in ReadyToWear =)

The slip and the robe goes beautifully together! Also, you can see the how the robe ties on the inside, to keep the left side skirt from drooping.

The good part of this post being so miserably late is that I've road-tested the cabaret girdle! It' behaved really well during blues dancing, swing dancing and even dining out.
That's all from the lingerie-front! =)

Love, Erika

Bobbin lace!

I’ve taken up bobbin lace weaving again! While this is a hobby I love, my last class finished when I was at a very tricky starting point (the pace of the classes is individual, so the bad timing was totally my own fault). So I figured I’d wait until next semester, I anyway had lots of stuff I wanted to sew. Then there was too few participants… for four semesters in a row! (and there’s 2 semesters/year in this school). I could have removed the new, tricky pattern and just worked on a pattern I knew, but I got out of the habit… 

Oh, and btw, did you notice I now know the correct term for this craft?! In Swedish it’s called “knyppling”, but apparently the English term is “bobbin lace”, since it’s made from wrapping yarn/thread around a “bobbin” and then moving the bobbins around (no resemblance what so ever to a bobbin that goes into a sewing machine). They look like this:

In Swedish we just call it a “stick”. Not very inventive… ; ) However, these can look very different depending on where in the world you’re weaving. Just take a look at this video, which will also give you an idea of how the lace is made:

Wish I had that speed and control over the bobbins! Maybe if I practice very hard for the next 40 years or so... =)

I’ve also seen this type of lace refered to as “pillow lace”, since it’s woven on a pillow. Personally I think it gets a bit confusing as the pillow used is called “a lace pillow”.

“So, what’s your hobby?” “I make pillow lace on a lace pillow.” Really??? =)

Anyway, this is a fun, meditative craft. No sudden progress, no smash and dash-glamour, certainly no “I’ll just make a shortcut here, no-one will know” cause here anyone looking at the finished lace will know. Sure, small mistakes can be hidden from an amateurs eyes, but there’s no covering up big mistakes or turning misguided shortcuts into design features. Then what’s the thrill? It’s seeing the lace take shape, inch by slow inch. It’s crossing, twisting, crossing, twisting, place a needle, and do the whole thing all over. Relaxed, calm and focused.

When I sew I have music on, I like chatting with people, my mind tend to wander to all sorts of interesting topics and daydreams. Hemming and the like is best done in front of the TV. But for weaving lace I need total silence. No talking, no music. No daydreaming of sewing a blouse to attach the finished lace to. I usually make a cup of tea, I usually don’t finish it. It stands half-full, forgotten as I’m lost in total concentration of moving the bobbins over the pillow. Why on earth haven’t I’ve done this in TWO YEARS?! Well, the class has finally started, I’m back on track and this time I’ll keep the skill alive.

For a little bit of fun, here’s a video from the 40s about Swedish laceweaving. It’s a lot of panorama over landscapes and so on, and if that’s not your cup of tea, I’d suggest skipping ahed to 2.20 and then 8.2o in the video.

Here, you’ll also see another geographic style-difference: the hand-placement. In some of the videos I found they hold the bobbins very differently from how I was taught (using thumbs). The way they handle the bobbins in this old clip is how I've been taught.

Anyone else who’s weaving bobbin lace?

Love, Erika